New York City Ballet: Eclectic NYCB

Igor Stravinsky — Divertimento from Le Baiser de la fée ("The Fairy's Kiss")
Nico Muhly — Falling Berceuse (part of 'When We Fell')
Morton Feldman — Piece for Four Pianos (part of 'When We Fell')
Jason Moran — All Hammers and Chains (part of 'When We Fell')
Francesco Geminiani — Concerto Grosso after Corelli Violin Sonata No. 12 in D minor, H. 143 "La Folia" (part of 'Chiaroscuro')
Leonid Desyatnikov — Sketches to Sunset (part of 'Odesa')

A program distinguished by its variety opens with Balanchine's Divertimento from Le Baiser de la Fée, choreographed to a Stravinsky symphonic suite. Kyle Abraham's When We Fell was originally filmed and streamed during the pandemic, and here makes its live debut. Lynne Taylor-Corbett's Chiaroscuro, a ballet for six dancers from 1994, evokes the artistic term of its title through the interaction of light and shadow as well as diverging tempos, while Alexei Ratmansky's Odesa features three couples, their interplay infused with hints of drama, and a corps de ballet, and is set to incidental music from the Russian film Sketches to Sunset that alternates between the ruminative and the rambunctious.

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