Vancouver Symphony Orchestra USA: Young Artist Competition
In person: $47-$60 ($15 student) | Stream: $20
- Alexander Liu, piano
- Hannah Cho, oboe
- Mio Imai, violin
- Salvador Brotons, conductor
Jan Kalivoda (Johann Wenzel Kalliwoda) — Concertino for oboe and orchestra Op. 110
Camille Saint-Saëns — Introduction and Rondo Capriccioso in A minor, Op. 28
Albert Roussel — Bacchus et Ariane Suite No. 2, Op. 43
Manuel de Falla — El sombrero de tres picos ("The Three-Cornered Hat") Suite No. 2
This concert features the winners of our annual Young Artists competition. Pianist Alexander Liu will play the expansive opening movement of Mozart's Piano Concerto No. 21. Then, oboist Hannah Cho plays a rarely-heard gem from the mid 19th Century, the Oboe Concertino by Johann Wenzel Kalliwoda. Finally, violinist Mio Imai is featured in the fiery Introduction and Rondo Capriccioso of Camille Saint-Saëns.
The Vancouver Symphony Orchestra has a pair of features as well: we open with Albert Roussel's colorful, impressionistic music for his ballet Bacchus et Ariane. Composed in 1930, the work is based upon the Classical myth of Ariadne, princess of Crete. The most well-known part of the story has her falling in love with the Greek hero Theseus, and helping him to defeat the horrible Minotaur. Ariadne is later abandoned by Theseus on the island of Naxos, where she encounters the god Bacchus (Dionysus) and becomes his queen. The ballet, featuring choreography by Serge Lifar and sets by surrealist painter Giorio de Chirico, was a success, and Roussel published two suites from its score—the music of the suites is largely unchanged from the music of the ballet's two acts.
We close with sensuous, and sometimes rowdy music from Manuel de Falla's Spanish-themed ballet The Three-Cornered Hat which was the result of a commission by impresario Serge Diaghilev for his famous ballet company, the Ballets Russe. The ballet is in two scenes, with Alarcón's farcical story set as a series of traditional Andalucian dances. The two suites draw on the main musical episodes of these two scenes, and are presented in the order of the original ballet score. The ballet opens with a bold trumpet fanfare, and then more languid music with flashes of humor that sets the scene. The second scene begins with a pair of thoroughly macho flourishes from the horn and English horn and continues in a series of dramatically rhythmic phrases, leading to a furious ending. The ballet closes with the entire ensemble in the Final Dance, a jota with a lively cross-rhythm throughout. The music is alternately light-hearted and dramatic, but in the end brings this set to a joyful conclusion.
Pre-Concert Talk: An hour before each performance, 6pm on Saturday and 2pm on Sunday, all ticket holders will enjoy an educational pre-concert talk from a VSO Musician or VSO's Music Director and Conductor Salvador Brotons. Don't miss this special opportunity to learn all about the history of the music that will follow!
All ticket holders will receive a secure email link in order to access the live stream performances.