Saturday, June 24, 2023 @ 8:00pm – 9:30pm (PDT)
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$25-$140

Mahler's "Resurrection" Symphony encompasses eternal questions of life and death and the ultimate power of love to illuminate darkness. The journey begins with the funereal, followed by a respite of nostalgic innocence, which leads to a finale full of hope and transcendence.

Pre-concert Talk presented one hour prior to each performance. Free with ticket purchase.

About Seattle Symphony

Recognized as one of the “most vital American orchestras” (NPR), the Seattle Symphony is internationally acclaimed for its inventive programming, community-minded initiatives, and superb recordings on the Seattle Symphony Media label. With a strong commitment to new music and a legacy of over 150 recordings, the orchestra has garnered five Grammy Awards, 26 Grammy nominations, and two Emmy Awards, and was named Gramophone’s 2018 Orchestra of the Year. The Symphony performs in Benaroya Hall in the heart of downtown Seattle.

https://www.seattlesymphony.org/

About Jennifer Johnson Cano, mezzo-soprano

Jennifer Johnson Cano has garnered critical acclaim for performances of both new and standard repertoire; lauded by The New York Times for her "rich-toned mezzo-soprano" voice and by Opera News as a "matchless interpreter of contemporary opera."

Highlights of Cano's operatic career have included performing the roles of Donna Elvira, Carmen and Offred with the Boston Lyric Opera; The Fox in The Cunning Little Vixen with the Cleveland Orchestra; the Mother, Dragonfly, and the Squirrel in L'enfant et les sortilèges with the San Francisco Symphony; performances of El Niño with John Adams and the London Symphony Orchestra; Carmen with the New Orleans Opera; and Orphée with the Des Moines Metro Opera and Opera Theatre of Saint Louis. She has appeared in more than 100 performances on the stage at The Metropolitan Opera since her debut in the 2009-2010 season, most recently in the roles of Nicklausse, Emilia, Hansel, and Meg Page. Cano debuted the role of Virginia Woolf in the world premiere of Kevin Puts's The Hours with the Philadelphia Orchestra about which The Philadelphia Inquirer wrote, "Every word was clear both in content and intention, and her mezzo-soprano tone was deeply alluring."

https://www.jenniferjohnsoncano.net/