Classical Music Connections
Single: $45 ($35 NNM member) |
Package: $115 ($85 NNM member)
- Christine Lee, cello
- Rachel Lee Priday, violin
- Emerson Millar, violin
- Graeme Steele Johnson, clarinet
- Alexander Grimes, viola
Acclaimed cellist and UW College of Music Artist-in-Residence Christine Lee partners with the National Nordic Museum for a three concert series of Nordic chamber music! On April 19, Lee will perform with violinists Rachel Lee Priday and Emerson Millar, clarinetist Graeme Steele Johnson, and violist Alexander Grimes (Principal Viola of the Pacific Northwest Ballet Orchestra). Join us for an afternoon of musical enrichment from world-renowned performers!
Program details coming soon.
About Rachel Lee Priday, violin
Violinist Rachel Lee Priday (PRY-day) is a passionate and inquisitive explorer in all her musical ventures, in search of contemporary relevance when performing the standard violin repertoire, and in discovering and commissioning new works. Her wide-ranging repertoire and eclectic programming reflect a deep fascination with literary and cultural narratives.
Rachel Lee Priday has appeared as soloist with major international orchestras, including the Chicago, Saint Louis, Houston, Seattle, and National Symphony Orchestras, the Boston Pops, and the Berlin Staatskapelle. Recital appearances have brought her to eminent venues including the Mostly Mozart Festival at Lincoln Center, Musée du Louvre, Verbier Festival, Ravinia Festival and Dame Myra Hess Memorial Series in Chicago, Mecklenburg-Vorpommern Festival in Germany, and tours of South Africa and the United Kingdom.
Committed to new music, and making enriching community and global connections, Rachel takes a multidisciplinary approach to performing that lends itself to new commissions organically merging poetry, dance, drama, stimulating visuals and music. Recent seasons have seen a new Violin Sonata commissioned from Pulitzer Prize Finalist Christopher Cerrone and the premiere of Matthew Aucoin’s “The Orphic Moment” in an innovative staging that mixed poetry, drama, visuals, and music. Rachel has collaborated several times with Ballet San Jose, and was lead performer in “Tchaikovsky: None But The Lonely Heart” during a week-long theatrical concert with Ensemble for the Romantic Century at the Brooklyn Academy of Music (BAM). Her work as soloist with the Asia America New Music Institute promoted new music relationships and cultural exchange between Asia and the Americas, combining new music premieres and educational outreach in the US, China, Korea and Vietnam.
Rachel began her violin studies at the age of four in Chicago. Shortly thereafter, she moved to New York to study with iconic pedagogue Dorothy DeLay, and continued her studies at the Juilliard School Pre-College Division with Itzhak Perlman. Rachel holds a B.A. degree in English from Harvard University and an M.M. from the New England Conservatory, where she studied with Miriam Fried. Since Fall 2019, she serves as Assistant Professor of Violin at the University of Washington School of Music.
Recent and upcoming concerto engagements include the Pacific Symphony, Buffalo Philharmonic, Johannesburg Philharmonic, Kwazulu-Natal Philharmonic, Stamford Symphony, and Bangor Symphony. Since making her orchestral debut at the Aspen Music Festival in 1997, she has performed with numerous orchestras across the country, such as the symphony orchestras of Colorado, Alabama, Knoxville, Rockford, and New York Youth Symphony. In Europe and in Asia, she has appeared at the Moritzburg Festival in Germany and with orchestras in Graz, Austria, Hong Kong, Singapore, and Korea, where she performed with the KBS Symphony, Seoul Philharmonic and Russian State Symphony Orchestra on tour.
Rachel has been profiled in The New Yorker, The Los Angeles Times, Family Circle, and The Strad. Her concerts have been broadcast on major media outlets in the U.S., Germany, Korea, South Africa, and Brazil, including a televised concert in Rio de Janeiro, numerous radio appearances on 98.7 WFMT Chicago radio, and American Public Media’s Performance Today. She been featured on the Disney Channel, “Fiddling for the Future” and “American Masters” on PBS, and the Grammy Awards.
Praised by the Chicago Tribune for her “irresistible panache,” Rachel Lee Priday enthralls audiences with her riveting stage presence and “rich, mellifluous sound.” The Baltimore Sun wrote, “It’s not just her technique, although clearly there’s nothing she can’t do on the fingerboard or with her bow. What’s most impressive is that she is an artist who can make the music sing… And though her tone is voluptuous and sexy where it counts, she concluded the ‘Intermezzo’ with such charm that her listeners responded with a collective chuckle of approval as she finished.”
She performs on a Nicolo Gagliano violin (Naples, 1760), double-purfled with fleurs-de-lis, named Alejandro.
http://rachelleepriday.com/About Emerson Millar, violin
About Graeme Steele Johnson, clarinet
Praised for his "elegant and rounded sound" (Albany Times Union) and "effortless...unmatched" technique (The Clarinet Online), Graeme Steele Johnson is an artist of uncommon imagination and versatility.
His diverse artistic endeavors range from a TEDx talk comparing Mozart and Seinfeld, to his reconstruction of a forgotten 125-year-old work by Charles Martin Loeffler, to performances of Mozart's Clarinet Concerto in its original form on an elongated clarinet that he commissioned. Johnson’s recent and upcoming performances include appearances at the Library of Congress, Chamber Music Northwest, Bridgehampton Chamber Music Festival, Ravinia, Phoenix Chamber Music Festival, Emerald City Music, Maverick Concerts, Music Mountain and Yellow Barn, as well as solo recitals at The Kennedy Center and Chicago’s Dame Myra Hess series. He is also a regular performer at the Annapolis Chamber Music Festival, Archipelago Collective Chamber Music Festival, and Caroga Lake Music Festival. As a concerto soloist, he has performed twice with the Vienna International Orchestra, as well as with the Springfield Symphony Orchestra, Caroga Arts Ensemble, Vermont Mozart Festival Orchestra, and the CME Chamber Orchestra.
Since 2022, he has served as the clarinetist of the award-winning quintet WindSync (MKI Artists), one of only two American wind quintets with a full-time, international touring schedule.
Driven by his interest in shedding fresh perspective on familiar music, Johnson has authored numerous chamber arrangements of repertoire ranging from Mozart and Debussy to Gershwin and Messiaen, and performed them around the country with such artists as the Miró Quartet, Valerie Coleman, and Han Lash. His arrangements have also been championed around the world, with performances by the Melbourne Symphony Orchestra (Australia), Moscow Conservatory, and the La Jolla Music Society.
Johnson is the winner of the Hellam Young Artists’ Competition and the Yamaha Young Performing Artists Competition; other recent accolades include the Saint Botolph Club Foundation's Emerging Artist Award and the inaugural Lee Memorial Scholarship from the Center for Musical Excellence. He has recorded commercially for Hyperion Records, MSR Classics, and Musica Solis Productions, as well as a recent recording project at Abbey Road Studios with WindSync.
http://www.graemesteelejohnson.com