Seattle Chamber Orchestra presents "The Seven Last Words" on fortepiano

• Lorenzo Marasso, fortepiano

The Seven Last Words of Our Saviour on the Cross is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva (Holy Cave Oratory) in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet, approved a version for solo piano in the same year, and finally adapted it in 1796 as an oratorio (with both solo and choral vocal forces).

Haydn himself explained the origin and difficulty of writing the work when the publisher Breitkopf & Härtel issued (in 1801) a new edition and requested a preface:

"Some fifteen years ago I was requested by a canon of Cádiz to compose instrumental music on the Seven Last Words of Our Savior On the Cross. It was customary at the Cathedral of Cádiz to produce an oratorio every year during Lent, the effect of the performance being not a little enhanced by the following circumstances. The walls, windows, and pillars of the church were hung with black cloth, and only one large lamp hanging from the center of the roof broke the solemn darkness. At midday, the doors were closed, and the ceremony began. After a short service the bishop ascended the pulpit, pronounced the first of the seven words (or sentences) and delivered a discourse thereon. This ended, he left the pulpit and fell to his knees before the altar. The interval was filled by music. The bishop then in like manner pronounced the second word, then the third, and so on, the orchestra following on the conclusion of each discourse. My composition was subject to these conditions, and it was no easy task to compose seven adagios lasting ten minutes each, and to succeed one another without fatiguing the listeners; indeed, I found it quite impossible to confine myself to the appointed limits."

The priest who commissioned the work, Don José Sáenz de Santa María, had reconditioned the Oratorio de la Santa Cueva, and paid Haydn in a most unusual way – sending the composer a cake which Haydn discovered was filled with gold coins.

The work is performed by SCO's Music Director Lorenzo Marasso on a copy of a fortepiano Andreas Stein, part of the collection by Prof. George Bozarth and Tamara Friedman. Concert will be held in the private residence of Mr. David Corry (Address: 419 W Lee St, Seattle, WA 98119, USA).

Join us at 7:15pm for a pre-concert talk. Concert begins at 8pm. Admission is free with a suggested donation of $25. You can pre-pay your donation at this link <https://www.zeffy.com/en-US/ticketing/94d60ac6-edd3-4ed0-94c7-b2820933716d> or directly at the door. Admission includes the pre-concert talk, the performance, accompanied by drinks and appetizers. You can park anywhere in the street close to the residence. Parking is unmetered and unrestricted.

About Seattle Chamber Orchestra

Founded in 2021, Seattle Chamber Orchestra seeks to bring music lovers tantalizing combinations of the traditional and modern, performed by world-class professional musicians. Brought to life through thoughtful programming that educates as much as it inspires, SCO seeks to reinvigorate live classical music, which has suffered most of all during the pandemic, by providing opportunities musicians and audiences to explore new music and challenge established boundaries.

About Lorenzo Marasso, fortepiano

Lorenzo Marasso is an impassioned and sympathetic conductor, concert pianist, chamber musician, educator and radio host. Dubbed the "king of repertoire," Lorenzo's creative programming reveals lesser known masterpieces and rarely performed arrangements. Lorenzo's performances have been broadcast in numerous media outlets, including Seattle's 98.1 Classical King FM and NPR. In 2021 Lorenzo founded the Seattle Chamber Orchestra and is serving now as the ensemble's music director. In the same year he also started hosting a weekly radio program called Dress Rehearsal on 107.3FM KBFG Seattle. Equally inspired by contemporary music, Lorenzo has commissioned and performed world premieres of new works by several international composers who have written and dedicated pieces to him. In July 2020 he completed the Invention Project, a commission of new pieces for piano inspired by J.S. Bach's Inventions and Sinfonias. Further commissions included works composed by Michael Finnissy, Edward Cowie and Bernhard Lang.