intonations
Free ($5-15 suggested donation; no one turned away for lack of funds)
- John Teske, double bass
- Aaron Michael Butler, percussion
- Noel Kennon, viola
- Adam Levitt, saxophone & electronics
An evening of noise, graphic scores, and improvisation in celebration of the release John Teske's album, intonations.
Doors open at 6:30pm.
About John Teske, double bass
About Aaron Michael Butler, percussion
Aaron Michael Butler is a percussionist/composer currently based in Athens, OH. He regularly presents concerts of contemporary solo and chamber music, and has been active in the creation of new works through commissioning composers of his generation. Recent performance highlights include the 2013 Athens International Film Festival, 2012/14 Percussive Arts Society International Conventions, the 2014 Ohio University World Music and Dance Festival with marimbist Pei-Ching Wu, a performance with Luciano Chessa's Orchestra of Futurist Noise Intoners in 2015, and the 2016 Nelsonville Music Festival. In 2010 Aaron founded the NOBROW.collective; in conjunction with the Athens International Film Festival NOBROW has commissioned Deep Earth - a large-scale, multimedia work - from composer Matthew Burtner which was premiered in April 2014.
As a composer, he frequently collaborates with artists from other disciplines including choreographers Ani Javian and Travis Gatling, filmmaker Chris Lange, and Bristol-based potter Steve Carter. His recent work includes commissions from Andrew Trachsel and the Ohio University Wind Symphony, percussionist Kyle Lutes, and a choral work for the Cincinnati Soundwebs project.
Aaron holds degrees in percussion performance from Ohio University and Centenary College of Louisiana where he studied with Roger Braun, Guy Remonko and Chan Teague. He is currently adjunct professor of music at Ohio University.
https://www.aaronmichaelbutler.com/About Noel Kennon, viola
Noel Kennon is a composer and artist whose work often deals with the physical qualities of sound such as the mathematical (or theoretical) forms of pitch space in relation to the harmonic series, difference tones, and the sonority of volume or rather the sonority of space both enclosed and open (on any scale) as well as nominating the socio/environmental effects and phenomenon of sounding in space such as the purpose and politics in engaging strangers along with other unhelpful pursuits. All the while stumbling toward an expression of the sound of that which is not struck in the search of a way to reach compassion to address our collective unending suffering.
https://noelkennon.bandcamp.com/