Doug Balliett, double bass |
Adam Cockerham, theorbo |
Elliot Figg, harpsichord & organ |
Coleman Itzkoff, cello |
Paul Holmes Morton, baroque guitar |
Clay Zeller-Townson, founder & baroque bassoon |

Ruckus is a shapeshifting, collaborative baroque ensemble with a visceral and playful approach to early music. The ensemble debuted in Handel’s Aci, Galatea e Polifemo in a production directed by Christopher Alden featuring Anthony Roth Costanzo, Ambur Braid and Davóne Tines at National Sawdust. The band’s playing earned widespread critical acclaim: "achingly delicate one moment, incisive and punchy the next" (The New York Times); "superb" (Opera News).

Ruckus’s core is a continuo group, the baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. Other members include soloists of the violin, flute and oboe. The ensemble aims to fuse the early-music movement’s questing, creative spirit with the grit, groove and jangle of American roots music, creating a unique sound of "rough-edged intensity" (The New Yorker). Its members are assembled from among the most creative and virtuosic performers in North American early music, and is based in New York City.

Ruckus' debut album, 'Fly the Coop', a collaboration with flutist Emi Ferguson, was Billboard’s #2 Classical album upon its release. Live performances of Fly the Coop in Cambridge, MA was described as "a fizzing, daring display of personality and imagination" (The New York Times).

"Ruckus brought continuo playing to not simply a new level, but a revelatory new dimen-sion of dynamism altogether… an eruption of pure, pulsing hoedown joy … Wit, panache, and the jubilant, virtuosic verve of a bebop-Baroque jam session electrified and illuminated previously candle-lit edifices as Ruckus and friends raised the roof, and my mind’s eye will never see those structures in quite the same light again." (Boston Musical Intelligencer)

With 'Holy Manna', a program including arrangements of early American hymns from the shape-note tradition, Ruckus has begun a multi-project exploration of histories of American music. Other upcoming projects include a co-commission of a large-scale work by pioneering artist and NEA Jazz Master Roscoe Mitchell as part of a Bach / Bird Festival (with The Metropolis Ensemble and the Immanuel Wilkins Quartet).

Music Mondays: Ruckus & Emi Ferguson – Fly the Coop

Monday, October 3, 2022 @ 7:30pm – 9:00pm (EDT)
Advent Lutheran Church, New York, NY, United States

Don’t miss this performance of "the world’s only period instrument rock band" (San Francisco Classical Voice) in music by J.S. Bach that is…

Free

Shriver Hall Concert Series: Emi Ferguson, flute & Ruckus

Sunday, October 2, 2022 @ 5:30pm – 8:30pm (EDT)
Shriver Hall, Baltimore, MD, United States
Program includes works by Johann Sebastian Bach.

$44 ($10 student)

Dumbarton Concerts: Ruckus Ensemble – Holy Manna

Saturday, April 30, 2022 @ 7:30pm – 9:30pm (EDT)
Celeste Oram — Selected works

$43

Dumbarton Concerts: Ruckus Ensemble – Holy Manna

Saturday, April 30, 2022 @ 7:30pm – 9:30pm (EDT)
Online event
Celeste Oram — Selected works

$20

Philadelphia Chamber Music Society: Emi Ferguson, flute & Ruckus

Thursday, February 3, 2022 @ 7:30pm – 9:00pm (EST)
Online and in-person
Baroque quartet Nevermind (Anna Besson, flute; Louis Creac’h, violin; Robin Pharo, viola da gamba; & Jean Rondeau, harpsichord) rewrites the rules of period-instrument concerts with this performance of works by J.S. & C.P.E. Bach.

Online: Free | In person: $25

Caramoor: Emi Ferguson & Ruckus (on-demand until 4/27/2021)

Sunday, April 25, 2021 @ 3:00pm – 5:00pm (EDT)
Online event
Baroque flutist Emi Ferguson is joined by continuo band Ruckus in a wild technicolor romp through some of J.S. Bach’s most playful & transcendent works, reimagined & realized for 21st-c. fans of 18th-c. performance practice.

$15-$45 / Caramoor members free