Guerilla Underground: The Colony
$15 ($30 w/on-demand access, $40 w/on-demand & VIP chatroom)
- Anna Lindemann, voice
- Lucy Fitz Gibbon, soprano
- Ryan MacEvoy McCullough, piano
Guerilla Opera presents an Official Selection of The Guerilla Underground 2022 Season, The Colony. An opera-theater performance by Anna Lindemann and Emma Komlos-Hrobsky, about sisterhood and the evolution of communication in two of the most social creatures on earth: ants and humans. Funny, poignant, enlightening, and just the right amount of strange, The Colony reflects on the ever-present challenge of human connection.
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About Anna Lindemann, voice
About Lucy Fitz Gibbon, soprano
Noted for her "dazzling, virtuoso singing" (Boston Globe), Lucy Fitz Gibbon is a dynamic musician whose repertoire spans the Renaissance to the present. She believes that creating new works and recreating those lost in centuries past makes room for the multiplicity and diversity of voices integral to classical music’s future. As such, Ms. Fitz Gibbon has given U.S. premieres of rediscovered works by Baroque composers Francesco Sacrati, Barbara Strozzi, and Agostino Agazzari, as well by 20th-century composers including Tadeusz Kassern, Roman Palester, and Jean Barraqué. She has also worked closely with numerous others, workshopping and premiering works by a wide range of composers including John Harbison, Kate Soper, Sheila Silver, David Hertzberg, Reena Esmail, Roberto Sierra, Anna Lindemann, and Pauline Oliveros. In helping to realize the complexities of music beyond written notes, the experience of working with these composers translates to all music: the commitment to faithfully communicate not only the score, but also the underlying intentions of its creator.
https://lucyfitzgibbon.com/About Ryan MacEvoy McCullough, piano
Born in Boston and raised behind the Redwood Curtain of northern California, pianist Ryan MacEvoy McCullough has developed a diverse career as soloist, vocal and instrumental collaborator, composer, recording artist, and pedagogue. Ryan's music-making encompasses work with historical keyboards, electro-acoustic tools and instruments, and close collaborations with some of today’s foremost composers. In a performance of Chopin "his virtuosity was evident and understated, his playing projected a warmth… that conjured the humanity of Artur Rubinstein," (Eli Newberger, The Boston Musical Intelligencer) and in a performance of contemporary music, his playing "found a perfect balance between the gently shimmering and the more brittle, extroverted strands… and left you eager to hear the rest" (Allan Kozinn, The NY Times).
https://ryanmmccullough.com/