Kaufman Music Center – Music Speaks: Ohrwurm – Tabea Debus, recorder & Paul Morton, theorbo & lute
Tuesday, April 5, 2022 @ 7:30pm – 8:30pm (EDT)
Merkin Concert Hall at Kaufman Center,
New York,
NY,
United States
$30 ($15 student)
- Tabea Debus, recorder
- Paul Morton, theorbo & lute
Various
—
Selected works
(Ciaconna Medley after various Italian composers including Antonio Bertali, Tarquinio Merula, & Claudio Monteverdi; arr. Tabea Debus)
Traditional — La Monica (Une jeune fillette)
Pierre-Francisque Caroubel — L'espagnollette, TMA 26 (from Michael Praetorius' 'Terpsichore, Musarum Aoniarum')
Gareth Moorcraft — Diaries of the Early Worm
John Dowland — Praeludium in G
Johann Schop — Lachrimae Pavan
John Dowland — La mia Barbara, P. 95
John Dowland — Lachrimae, No. 12: The Earl of Essex Galliard ("Can she excuse my wrongs")
Jacob van Eyck — Engels Nachtegaeltje
Wolfgang Amadeus Mozart — "Der Vogelfänger ich bin ja" from The Magic Flute, K. 620
Henry Purcell — "Fairest Isle" from King Arthur, Z. 628
John Johnson — Variations on Greensleeves (from 'The Division Flute' (1706))
Claudio Monteverdi — Suite from Il ballo delle ingrate ("The Ballet of the Female Ingrates"), SV 167 (arr. Tabea Debus)
Ludwig van Beethoven — Bagatelle No. 25 in A minor, WoO 59, Bia 515 "Für Elise" (arr. Tabea Debus)
Charles Hurel — Theorbo Suite in G major ("I. Prelude" & "II. Allemande")
Johann Sebastian Bach — French Suite No. 2 in C minor BWV 813 ("II. Courante", "V. Menuet I", & "VI. Menuet II"; arr. Tabea Debus)
Giovanni Girolamo Kapsberger — "Canzone prima" from Intavolatura di chitarone, Libro 4
Andrea Falconieri — La suave melodia
Diego Ortiz — "Segunda sobre tenores Italianos" from Trattado de Glosas
Traditional — La Monica (Une jeune fillette)
Pierre-Francisque Caroubel — L'espagnollette, TMA 26 (from Michael Praetorius' 'Terpsichore, Musarum Aoniarum')
Gareth Moorcraft — Diaries of the Early Worm
John Dowland — Praeludium in G
Johann Schop — Lachrimae Pavan
John Dowland — La mia Barbara, P. 95
John Dowland — Lachrimae, No. 12: The Earl of Essex Galliard ("Can she excuse my wrongs")
Jacob van Eyck — Engels Nachtegaeltje
Wolfgang Amadeus Mozart — "Der Vogelfänger ich bin ja" from The Magic Flute, K. 620
Henry Purcell — "Fairest Isle" from King Arthur, Z. 628
John Johnson — Variations on Greensleeves (from 'The Division Flute' (1706))
Claudio Monteverdi — Suite from Il ballo delle ingrate ("The Ballet of the Female Ingrates"), SV 167 (arr. Tabea Debus)
Ludwig van Beethoven — Bagatelle No. 25 in A minor, WoO 59, Bia 515 "Für Elise" (arr. Tabea Debus)
Charles Hurel — Theorbo Suite in G major ("I. Prelude" & "II. Allemande")
Johann Sebastian Bach — French Suite No. 2 in C minor BWV 813 ("II. Courante", "V. Menuet I", & "VI. Menuet II"; arr. Tabea Debus)
Giovanni Girolamo Kapsberger — "Canzone prima" from Intavolatura di chitarone, Libro 4
Andrea Falconieri — La suave melodia
Diego Ortiz — "Segunda sobre tenores Italianos" from Trattado de Glosas
Described by The Times as a charismatic virtuoso, recorder player Tabea Debus is constantly exploring the horizons of music for recorder and has performed widely across Europe, Asia, Colombia and the USA. Ohrwurm explores how tunes and dances wormed their way into many aspects of music-making in 17th- and 18th-century Europe – and, in traversing the centuries, contemporary compositions testify to the earworm's secured place in modern life.
$15 students tickets are available by phone or in person. Call the box office at 212 501 3330.
Please review Kaufman Music Center's COVID-19 policies before attending this event: https://www.kaufmanmusiccenter.org/covid/