Kings, Giants, & Robots – Vocal Music of Paterson, Bond, & Garfein
$32
- American Modern Ensemble
- Ariadne Greif, soprano
- Glenn Seven Allen, tenor
- Robert Welsey Mason, baritone
- Keith Phares, baritone
- Jonathan Greenberg, baritone
Herschel Garfein — King of the River (text by Stanley Kunitz)
Robert Paterson — The Companion (libretto by David Cote)
Cutting Edge Concerts New Music Festival and Mostly Modern Projects co-present staged scenes from Victoria Bond's puppet operetta How Gulliver Returned Home in a Manner that was Very Not Direct. The production features puppets created by Doug Fitch, the renowned visual artist, designer and director, and libretto by Stephen Greco, prize-winning screen-writer and novelist, complementing the music by Victoria Bond. Fitch also directs the production. The program also features works by Herschel Garfein and Robert Paterson.
About Cutting Edge Concerts New Music Festival
Inspired by Pierre Boulez "Perspective Encounters" series, composer and conductor Victoria Bond founded Cutting Edge Concerts in 1998. With 26 years of concerts, Cutting Edge Concerts has presented over 300 new works by more than 200 composers. Each program highlights the music of living composers, all of whom attend the concert. Along with performances by world-class ensembles and soloists, each program features on-stage discussions between host Victoria Bond and the composers.
https://cuttingedgeconcerts.org/About Ariadne Greif, soprano
Ariadne Greif, praised for her "luminous, expressive voice," "searing top notes," and "dusky depths," (NYTimes), enjoyed a casual child career as a “boy” soprano at the LA Opera, eventually making an adult debut singing Lutoslawski's Chantefleurs et Chantefables with the American Symphony Orchestra. She starred in operas ranging from Donizetti’s Elixir of Love with The Orlando Philharmonic, to Poulenc's Les Mamelles de Tirésias at the Aldeburgh Festival, and Atthis, by G.F. Haas, which The NY Times called "one of the most searingly painful and revealing operatic performances in recent times.”
She performed with William Kentridge in his production of Ursonate at the Luxembourg Philharmonie, the Performa Festival, CalPerformances, and the Ultima Festival in Oslo, where she was invited back for September 2020 and 2022 with two large pieces of her own. She stepped in at the last minute at the 2022 Ojai Festival with AMOC, and starred in a film for Opera Philadelphia of We Need To Talk, a new monodrama written for Ariadne by Caroline Shaw and Anne Carson, as well as an opera film called Table Manners by Sheree Clement. Ariadne has premiered upwards of twenty new operas and more than a hundred new chamber works.
Ariadne has performed at Resonant Bodies, Sydney Chamber Opera, Sarasota Opera House, The Meidan Festival, Den Norske Opera, with the Orlando Philharmonic, The Knights, and across the US, Canada, France, Finland, and the Middle East, including more than 200 concerts with Ensemble Mélange, and in appearances with Pekka Kuusisto, Gabriel Kahane, Lukas Ligeti, and JACK Quartet, among others.
http://www.ariadnegreifsoprano.com/