Roulette: 2022 MATA Festival Night 2
Online: Free | In person: $20 advance, $25 at the door
Vicente Hansen Atria — Beauchamp-Feuillet N.2
Cameron Graham — Life in Pink
Jess Rowland — Music for Cell Phone and Piano
Naftali Schindler — Chants, Pastorals, and Antiphons of the New Moon
Mengmeng Wang — The sounds I can hear when I miss you
June Young (Will) Kim — Black, Emerald
The magical process of transformation, creation, and combined perspectives is the through line for this evening. We will listen to a color, engage in ritual, hear a canvas sing, and understand why the world of New Music is so special.
Curated by Darius Jones.
Note: Hakan Ulus' Auslöschung II will be presented as a sound installation in the Roulette lobby. Come early to listen!
Attending online: A live stream will be available free of charge at 8pm on the day of the performance and archived for future viewing.
Attending in person: Doors open at 7pm. Please review Roulette's current COVID-19 Safety Guidelines before attending: https://roulette.org/safety/
About Music at the Anthology (MATA)
Music at the Anthology (MATA) is an incubator for adventurous emerging artists experimenting with composition, multi-media, collaborative performance art, and every imaginable sound in between. We present, support, and commission the music of early-career composers, regardless of their stylistic views or aesthetic inclinations. Founded by Philip Glass, Eleonor Sandresky, and Lisa Bielawa in 1996 as a way to address the lack of presentation opportunities for unaffiliated composers, MATA has since developed into the world’s most sought-after performance opportunity for young and emerging composers.
https://www.matafestival.org/About International Contemporary Ensemble
With a commitment to cultivating a more curious and engaged society through music, the International Contemporary Ensemble – as a commissioner and performer at the highest level – amplifies creators whose work propels and challenges how music is made and experienced.
https://www.iceorg.org/