Thursday, June 2, 2022 @ 1:00pm – 2:00pm (PDT)
WWU Performing Arts Center Concert Hall, Bellingham, WA, United States

Performing both baroque and modern repertoire, Canadian violinist Edwin Huizinga has appeared alongside Yo-Yo Ma, Itzhak Perlman, Renée Fleming, Dawn Upshaw, Mike Marshall, and Stevie Wonder, and has been featured as a soloist with the San Bernardino Symphony, Trinity Alps Chamber Music Festival, and the Banff Summer Arts Festival. The 2019-20 season will bring a conducting and soloist debut with the Guelph Symphony Orchestra. Edwin is a founding member of the baroque ensemble ACRONYM which has released eight full-length albums of previously unknown and unrecorded baroque music. Edwin also performs worldwide with his folk and baroque duo Fire & Grace, and tours extensively with Tafelmusik. Edwin is part of the artistic leadership of Carmel Bach Festival, and serves as the Artistic Director for Sweetwater Music Festival and Big Sur Music Camp. An avid composer, Edwin was commissioned to write a piece for Canada's 150th anniversary. Edwin is a member of the Juno-nominated indie rock band The Wooden Sky, and is a founding member of the Classical Revolution—an organization dedicated to shaping the future of concerts and jam sessions in alternative locations around the world.

Elliot Figg is a keyboardist, conductor and composer who lives in New York. He is a graduate of the Historical Performance Program at The Juilliard School where he studied harpsichord with Kenneth Weiss. He also studied with Arthur Haas at the Yale School of Music. Elliot is an active member of Sonic Ghosts, ACRONYM, House of Time, Kacellion, and Ruckus. Previous engagements include: Five Boroughs Music Festival, in a concert featuring his own music; Conductor and harpsichordist for Monteverdi's Combattimento, Hasse's Piramo e Tisbe, and St.-Georges' L'Amant Anonyme, all with Little Opera Theatre of New York; Conductor and harpsichordist for Death of Classical's production of Dido and Aeneas in the catacombs of Green-Wood Cemetery; Deputy Music Director and harpsichordist for Farinelli and the King on Broadway; Assistant Conductor and harpsichordist for Il Farnace and Veremonda, both with Spoleto Festival USA; Assistant conductor and harpsichordist for Dido and Aeneas with L.A. Opera.

COVID-19 Protocols: Masks are encouraged on the WWU campus, but not required except in health care settings. Please check for any updated visitor guidance before attending: https://www.wwu.edu/coronavirus/visitor-guidance

About Acronym Ensemble

Baroque band ACRONYM — an "outstanding young early-music string ensemble" (The New Yorker)—is dedicated to giving modern premieres of the wild instrumental music of the seventeenth century. Playing with "...consummate style, grace, and unity of spirit" (The New York Times), the group formed in 2012 and has released ten critically acclaimed CDs since 2014. Recent projects include the first modern performances and recordings of works by Biber, Rosenmüller, Capricornus, and more. The band's most recent album, 'Cantica Obsoleta' (2020), features the modern premiere recordings of nearly-lost works from Sweden’s Düben Collection. The Boston Globe raves, "this musical time-capsule offers enough resplendence to transport anyone".

https://www.acronymensemble.com/