92Y
Saturday, June 4, 2022 @ 8:00pm – 10:00pm (EDT)
Kaufmann Concert Hall at 92Y, New York, NY, United States
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Online: $20 | In person: $20-$45 ($20 XYZ members)

World-renowned cellist Steven Isserlis joins us to perform selections from one of Bach’s greatest masterworks, the emotional and spiritual journey that is his Six Suites for Unaccompanied Cello.

The program opens with a performance of the Prelude and Fugue in C-sharp Minor from Bach’s The Well-Tempered Clavier, Book II by one of the piano’s rising stars, Mishka Rushdie Momen. Isserlis then performs music from the Bach Suites. Illuminating his performance: a reading from his acclaimed book, The Bach Cello Suites, A Companion by Edoardo Ballerini, actor and award-winning narrator of audiobooks by Amor Towles, Karl Ove Knausgaard, Isabel Allende, and many others.

In the second half of the program, Isserlis and Rushdie Momen perform two Mendelssohn works, including the composer’s passionate D-Major Sonata – a work Fanny Mendelssohn frequently programmed in her salons, and ideal ground for these two musicians’ amazing artistry.

Attending online: Concert available for viewing online for 72 hours from time of broadcast.

Attending in person: Proof of COVID-19 Vaccination is Required for all adults and children ages 5+. Masks must be worn by everyone age 2+ in performance spaces (Kaufmann Concert Hall, Buttenwieser Hall, Weill Art Gallery), and all program areas serving children under 5 years old.

About Steven Isserlis, cello

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a uniquely varied career as a soloist, chamber musician, educator, author and broadcaster. He appears with the world’s leading orchestras and conductors, and gives recitals in major musical centers. As a chamber musician, he has curated concert series for many prestigious venues, including London’s Wigmore Hall, New York’s 92nd Street Y, and the Salzburg Festival. Unusually, he also directs chamber orchestras from the cello in classical programs.

With a strong interest in historical performance, Steven has worked with many period-instrument orchestras and has performed and recorded recitals with harpsichord and fortepiano. Also a keen exponent of contemporary music, he has given many premieres of new works, including Sir John Tavener’s The Protecting Veil and many other works, Thomas Adès' Lieux retrouvés, three works for solo cello by György Kurtág, and pieces by Heinz Holliger and Jörg Widmann.

Steven’s extensive and award-winning discography includes J.S. Bach’s complete solo cello suites (Gramophone’s Instrumental Album of the Year), Brahms' Double Concerto with Joshua Bell and the Academy of St Martin in the Fields, and – as director and soloist – concertos by Haydn and C.P.E. Bach with Deutsche Kammerphilharmonie Bremen. His recording of works by John Taverner won the 2021 BBC Music Magazine Award.

Since 1997, Steven has been artistic director of the International Musicians Seminar at Prussia Cove, Cornwall. He also enjoys playing for children, and has created three musical stories, with the composer Anne Dudley. His two books for children, published by Faber & Faber, have been translated into many languages; his latest book for Faber is a commentary on Schumann’s Advice for Young Musicians. His most recent book about the Bach Cello Suites was published in 2021. He has also devised and written two evenings of words and music, one describing the last years of Robert Schumann, the other devoted to Marcel Proust and his salons, and has presented many programs for radio, including documentaries about two of his heroes – Robert Schumann and Harpo Marx.

The recipient of many awards, Steven’s honors include a CBE in recognition of his services to music, the Schumann Prize of the City of Zwickau, the Piatigorsky Prize and Maestro Foundation Genius Grant in the U.S, the Glashütte Award in Germany, the Gold Medal awarded by the Armenian Ministry of Culture, and the Wigmore Medal.

Steven plays the ‘Marquis de Corberon’ Stradivarius of 1726, on loan from the Royal Academy of Music.

“The music world— and music itself—is infinitely richer for the presence of Steven Isserlis.” —Gramophone Magazine

http://stevenisserlis.com/