Thursday, July 21, 2022 @ 8:00pm – 10:00pm (PDT)
The Chapel at the Good Shepherd Center, Seattle, WA, United States
Ticket details

$5-$20 donation at the door

Born in the Arizona desert, a veteran of multiple explorations into the Sahara desert via Morocco and Western Sahara, and now a resident of the Mojave, Derek Monypeny sees his musical mission as adding to and expanding on what he calls the "desert continuum" – the psychedelic sirocco swirl of desert-based stringed instruments played with utter abandon by musicians the world over. He takes great inspiration from desert guitarists whose playing so perfectly reflects their surroundings in its gnarled beauty and all-pervasive individualism: Richard Bishop, Zoot Horn Rollo, Curt Kirkwood, Jesus Acedo, Bob Log III, and Howe Gelb to name a few. In his travels in North Africa, Derek discovered that same spirit in Saharan guitar playing, in artists such as Seddoum ould Eide, Hammadi ould Nana, and Luleide ould Dendenni.

Derek uses a variety of instruments to achieve these ends. In addition to guitar, he has recorded an album of solo oud recordings (Don't Bring Me Down, Bruce) and is currently performing and recording using the 15-string electric shahi baaja (Indian electric banjo). Tonight, he'll perform a 40-50 minute quasi-ambient set with electric guitar and shahi baaja, utilizing long-duration tones to interact directly with the resonant properties of the space.

Derek is a former member of the bands Oaxacan (Oakland, CA), ALTO! (Portland, OR), and Sir Richard Bishop's Freak Of Araby Ensemble. In addition to his solo work, he has an ongoing duo project with Bryan Hillebrandt, OAE (Oakland Afternoon Ensemble). He has performed and toured with artists such as Bill Orcutt, Jozef van Wissem, Eva Aguila/Kevin Shields, Arrington de Dionyso, and many others.

what is the duo project of drummer Dave Abramson and pedal steel guitarist Alan Jones that can be expanded with other players. Their latest release is out on Eiderdown Records. For this show they are joined by guitarist Robert Millis of Climax Golden Twins fame.

About Wayward Music Series

Each month, Nonsequitur and a community of like-minded organizations and artists present 10 concerts of adventurous and experimental music in the gorgeous Chapel Performance Space at the Good Shepherd Center: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics.

https://www.waywardmusic.org/

About Derek Monypeny, electric guitar & shahi baaja

http://derekmonypeny.com/

About Alan Jones, pedal steel guitar

Alan Jones is a Dallas-born, Washington-based musician, composer, and sound designer. In improvised live performance he emphasizes the use of guitar, lap steel, and pedal steel. Jones is the architect behind Laminal Audio, a mastering studio in Washington state that appeals to his bent for the archiving and modulation of sound. Laminal Audio's quality control lends to his carefully curated small batch label Marginal Frequency.

https://af-jones.com/

About Robert Millis, guitar

Robert Millis is known for many things – co-founder of Climax Golden Twins, Messenger Girls Trio, Idol Ko Si, and AFCGT; filmmaker and producer for the Sublime Frequencies label; co-producer of the Victrola Favorites book and cassette series (other collections include the Deben Bhattacharya: Men and Music on the Desert Road and Indian Talking Machine books). His scholarship into the hidden corners of music across the world has also earned him Guggenheim and Fulbright fellowships. His most recent LP, 2020's 'Related Ephemera', was on the Helen Scarsdale label and explored the textures of 78rpm and wax cylinder recordings.

https://robertmillis.net/

The Chapel at the Good Shepherd Center

4649 Sunnyside Ave N
Seattle, WA 98103
United States

http://chapelspace.blogspot.com/