Composers Concordance Presents Gene Pritsker’s Sound Liberation | Featuring Matt Herskowitz, piano

• Matt Herskowitz, piano
• David Banks, voice
• Sound Liberation

Tuesday, December 13th at 7pm, the eclectic chamber ensemble/band Sound Liberation takes the stage of the historic club The Bitter End to present a program of original compostions with a diverse range of musical genres. The event will feature pianist/composer Matt Herskowitz with compositions by Matt and composer/guitarist, band leader Gene Pritsker. Premieres include Pritsker's song I'm On a Lucky Streak with You with special guest singer David Banks.

Please follow NYC COVID-19 protocols & updates while attending this event: https://coronavirus.health.ny.gov/home

About Composers Concordance

Staying in rotation for 40 years in NYC is a rare feat. In the case of a new music presenting organization, it requires not only diligence and cognizance of achievements of the past but also an ethic of keeping one's ear to the ground for emerging stylistic and technological developments, as well as talented new composers on the scene.

Composers Concordance, founded in 1984 by Joseph Pehrson and Patrick Hardish, advised by Otto Luening, strives to present contemporary music in innovative ways, with an emphasis on thematic programming. Directors Gene Pritsker and Dan Cooper co-curate the programs and lead the CompCord Ensemble, Chamber Orchestra, String Orchestra, and Big Band. Associate Directors are Milica Paranosic, Peter Jarvis, Debra Kaye, and Seth Boustead.

Composers Concordance has also created a Naxos-distributed record label: Composers Concordance Records, co-directed by Peter Jarvis. Composers Concordance's overriding vision is to promote contemporary music, composers, and new works as a rightful and respected part of society. Good music performed and recorded well, pushing the boundaries of sound and composition.

About Matt Herskowitz, piano

https://www.mattherskowitzpiano.com/

About David Banks, voice

https://www.facebook.com/David-Banks-of-Enchantment-108347813963354/

About Sound Liberation

Sound Liberation, an eclectic chamber ensemble/band, was formed in 1996. The band has gained exposure in the New York city area and has generated a loyal core following playing such notable venues as Joe's Pub, Wetlands, Knitting Factory, The Blue Note, Downtime, New Music Cafe, Cutting Room, Le Poisson Rouge, and many other performing spaces.

Sound Liberation's musical philosophy, developed by band founder Gene Pritsker, is based upon "ending the segregation of sound vibration (i.e. musical Genres)". The group incorporates its philosophy by performing compositions that encompass a diverse range of musical genre, heavily influenced by hip-hop and rock rhythms. This enables one to hear elements from classical music to Jazz to music of various cultures at a Sound Liberation show.

The group performed at the Outreach Festival '06 and '07 and '14 in Schwaz, Austria. In '07 Sound Liberation performed at the Estonian House and presented Gene Pritsker's opera Money at the Players Theatre and Flea Theatre in New York. In May of '08, Money was performed at the Etna music Festival in Catania, Sicily and Sound Liberation played in Ragusa, Sicily. In July '08, they performed at the Blaine jazz Festival in Blaine, Wa. In May of '09, Sound Liberation presented 2 nights at the Flea theater, performing Gene Pritsker's one-hour VRE Suite written for the Sound Liberation Quintet and a concert with B3+ of music from their albums on Col-Legno records. In September 2011, they performed at the Bremen Musik Fest in Germany. In past years the group was part of the Peekaboo Festival of New Music, 21st Century Schizoid at Cornelia Street Cafe and Theater, and toured Newfoundland, Canada in April of '99.

In August of '09 the Song No Truth was featured in the Universal Home Videos motion picture The Wedding Bothers. In the fall of 2010, Human Condition was featured on PBS's Road Trip Nation series. The band played a very publicized concert at New York's Le Poisson Rouge in January '10. The New Yorker wrote: "Pritsker, a rule-breaking composer-guitarist (and rapper) who impresses funk and rock beats onto classical structures, fronts this eclectic jazz-type combo of singers and instrumentalists."