Thursday, December 1, 2022 @ 3:00pm – 4:00pm (EST)
Online event
Wolfgang Amadeus MozartLe nozze di Figaro ("The Marriage of Figaro"), K. 492 ("Letter Duet")
Wolfgang Amadeus MozartCosì fan tutte, K. 588 ("Smanie Implacabili")
Giacomo PucciniEdgar ("O fior del giorno")
Giacomo PucciniLa bohème ("Quando m'en vo")
Giacomo PucciniTosca ("Vissi d'Arte")
Franz LehárDer Zarewitsch ("Einer wird Kommen")
Engelbert Humperdinck"Evening Prayer" from Hansel and Gretel
Richard WagnerLohengrin, WWV 75 ("Einsam in Trüben Tagen")
Jacques OffenbachLa Perichole (“Ah, quell diner je viens a faire!”)
Georges BizetLes pêcheurs de perles ("The Pearl Fishers") ("Comme autrefois dans la nuit sombre")
Jacques OffenbachLes Contes d'Hoffmann ("The Tales of Hoffmann") ("Belle Nuit o Nuit d'amour")

This concert was filmed on November 19th, 2022 at Mirabella Seattle.

Established in 1891, the Ladies Musical Club (LMC) fosters classical music in the Seattle community through education, performance, and awards. LMC's Public Concerts program presents over 50 FREE concerts at Seattle-area partner venues and online on LMC's YouTube channel.

About the Artists: https://lmcseattle.org/performing-artists-november-2022/

More about LMP's Public Concerts program: https://lmcseattle.org/concerts-events/

This program is supported by 4Culture, City of Seattle's Office of Arts and Culture, and other generous donors.

About Katie Hochman, soprano

Soprano Katie Hochman enjoys performing recitals, opera and opera scenes through the Ladies Musical Club and Puget Sound Concert Opera. Highlights for the soprano have been the title role of Massenet's Cendrillon and soloist in La Damoiselle Élue both with Puget Sound Concert Opera. Katie has previously sung with Portland Opera, Utah Opera, Willamette Concert Opera, Opera Theater Oregon, and Rainier Family Opera. She has also enjoyed orchestral work as soprano soloist in Handel's Messiah, Fauré's Requiem, Haydn's Creation, and Mozart's Exultate, Jubilate.

About Emily Riesser, soprano

Emily Riesser's diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Elle in a staging of Poulenc’s one-voice opera, 'The Human Voice' (Ladies Musical Club), sang Frasquita in 'Carmen' (Kitsap Opera), and played a nun in 'Sister Act' (Tacoma Musical Playhouse). In concert, Emily is known for her interpretation of Bach cantatas, including the Wedding Cantata, which she sang recently in several venues. Favorite experiences include singing Iphigenie in Gluck’s 'Iphigenie en Tauride' (Seattle Opera Guild), Violetta in Verdi’s 'La traviata' (Kitsap Opera), Tamiri in Mozart’s 'Il re pastore' (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

About Janene Nelson, mezzo-soprano

Praised for her mellow voice and gorgeously sung performances, mezzo-soprano Janene Nelson is an affecting interpreter of opera, oratorio, and art song. Ms. Nelson’s notable opera roles include Third Lady in Mozart’s Die Zauberflöte, Nicklaus in Offenbach’s The Tales of Hoffmann, Dorabella in Mozart’s Cosí fan tutte, Beggar Woman in Stephen Sondheim’s Sweeney Todd, and both Rosalinde and Prince Orlofsky in Strauss’ Die Fledermaus. Her concert work includes performances with the Oregon Mozart Players, the Oregon Bach Collegium, and Northwest Baroque. Ms. Nelson holds a doctorate in vocal performance from the University of Oregon, and currently serves as Head of Vocal Studies at Seattle Pacific University.

https://www.facebook.com/mezzojan/

About Regina Thomas, soprano

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President and trustee of concerts for LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard's Castle). Concert work includes Schumann's Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven's Symphony No. 9, Fauré Requiem, and Berio's Folk Songs for voice and chamber ensemble.

https://www.musiccenternw.org/regina-thomas

About Dora Barnes, lyric soprano

Dora Barnes was born and raised in Yakima Washington and now resides in Seattle. She is a classically trained vocalist, pianist, and saxophonist, and is currently studying with Davida Kagen. Dora attended Yakima Valley Community College and Central Washington University with a focus on vocal performance. Dora has performed with the Seattle Art Song Society, Ladies Musical Club, and the Puget Sound Concert Opera, among others. Notably, she has performed as Zerlina in Don Giovanni, placed 1st in the PAFE Opera division, placed 3rd in the Seattle Opera Guild's Singer Development Awards, and was an honorable mention in the Metropolitan Opera National Council Awards. When not singing opera, Dora is the lead singer and plays saxophone in two Motown/Oldies bands, and also composes her own music.

https://www.dorabarnes.com/

About Minju Kim, piano

Pianist Dr. Minju Kim, a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Minju has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. With her avid interest in chamber music, Minju joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju serves as collaborative pianist at Shoreline Community College, Seattle University, and Northwest Girlchoir, and works with several private studios for instruments and voice. Minju holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.).