Saturday, May 20, 2023 @ 11:00pm – 12:30am (EDT)
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British composer Ethel Smyth's Mass in D for choir, orchestra, and soloists is a monumental achievement. Written in the mid-19th Century, it was dismissed by critics who deemed women composers unequal to their male counterparts. Seattle Pro Musica hails this stunning and seldom-heard piece as more than equal.

We pair this groundbreaking work with Mozart's beloved "Great" Mass in C minor for one performance only in the magnificent acoustic of St. James Cathedral.

2022-23 season performances will be presented in person and also livestreamed for free; donations will be gratefully accepted. Click 'More info' for details.

Attending in person: Audience members are encouraged to wear masks.

About Dawn Padula, mezzo-soprano

Dawn Padula, mezzo-soprano is a versatile performer of opera, oratorio, musical theatre, jazz, and classical concert repertoire. Opera roles include Carmen (Carmen), Azucena (Il Trovatore), Lady Jane (Patience 2018 Gregory Awards People’s Choice Award Nominee), Lady Blanche (Princess Ida), Ruth (The Pirates of Penzance), Cherubino (Le Nozze di Figaro), Suzuki (Madama Butterfly), Meg (Falstaff), The Third Lady (The Magic Flute), the Witch (Hansel and Gretel), Maddalena (Rigoletto), Isabella (The Italian Girl in Algiers), Erika (Vanessa), and the Sorceress (Dido and Aeneas). In the Pacific Northwest, she has performed with Tacoma Opera, Seattle Gilbert and Sullivan Society, Kitsap Opera, Concert Opera of Seattle, PLU’s Jazz Under the Stars, Puget Sound Concert Opera, the Tacoma Concert Band, the Oregon Symphony, the Portland Symphonic Choir, the Seattle Bach Choir, the Second City Chamber Series, Classical Tuesdays in Old Town Tacoma Concert Series, Lakewood Playhouse, and Opera Pacifica. With Seattle Opera, she is a member of the Supplementary Chorus. In June 2017, she toured to Varna and Sofia, Bulgaria as the mezzo-soprano soloist in Mozart’s Requiem with the Pazardzhik Symphony. In August 2017, she released her debut classical solo album, Gracious Moonlight, featuring Dominick Argento’s Pulitzer Prize winning song cycle, From the Diary of Virginia Woolf. Dr. Padula is currently the Director of Vocal Studies at the University of Puget Sound School of Music.

http://dawnpadula.com/home.html

About Charles Robert Stephens, baritone

Charles has enjoyed a career spanning a wide variety of roles and styles in opera and concert music. His performances have shown "a committed characterization and a voice of considerable beauty." (Opera News, 1995) At the New York City Opera he sang the role of Professor Friedrich Bhaer in the New York premiere of Adamo's Little Women, and was hailed by the New York Times as a "baritone of smooth distinction." Other New York City Opera roles since his debut as Marcello in 1995 include Frank in Die Tote Stadt, Sharpless in Madame Butterfly, and Germont in La Traviata. He has sung on numerous occasions at Carnegie Hall in a variety of roles with the Opera Orchestra of New York, the Oratorio Society of New York, the Masterworks Chorus, and Musica Sacra.

Now based in Seattle, Charles has sung with the Seattle Symphony, Tacoma and Spokane Symphonies and Opera Companies, Portland Chamber Orchestra and many other orchestras and opera companies in the Pacific Northwest. He joined the roster of the Seattle Opera in 2010 for the premiere of Amelia by Daron Hagan.

Recent collaborations with early music expert Stephen Stubbs include the role of Haman in Handel's Esther with Pacific Musicworks as part of the Seattle Handel Festival, Messiah with Portland Baroque and the role of Tiresias in the Boston Early Music Festival's lavish production of Steffani's Niobe, Queen of Thebes. A long association with Maestro Gary Thor Wedow has recently led to two performances with the Seattle Symphony: Messiah and "Opera Festival."

http://www.charlesrobertstephens.com/