Sanctuary Keyboards Festival, Part III: Jillon Stoppels Dupree, Harpsichordist

• Jillon Stoppels Dupree, harpsichord

Jillon Stoppels Dupree will perform keyboard masterworks from the Baroque era, including:

The Bells (Fitzwilliam Virginal Book) ~ William Byrd (ca. 1540-1623)

Le Rossignol-en-Amour (The Nightingale in Love) ~ François Couperin (1668-1733)

La Linote Éfarouchée (The Startled Linnet)

Les Fauvètes Plaintives (The Sorrowful Warblers)

Le Moucheron (The Gnat)

Capriccio Sopra Il Cucu (Capriccio: Cuckoo) ~ Johann Kaspar Kerll (1627-1693)

Capriccio on the Departure of a Most Beloved Brother, BWV 992 ~ Johann Sebastian Bach (1685-1750)

Fantasy #2 in C major (W61, no. 6) ~ Carl Philipp Emanuel Bach (1714-1788)

Les Sauvages (The Savages) ~ Jean-Philippe Rameau (1683-1764)

Marche des Marseillois (La Marseillaise, 1792) ~ Claude-Benigne Balbastre (1724-1799)

Ms. Dupree will be playing the Faith Sanctuary's late Parisian style, double manual harpsichord, a refait instrument by renowned harpsichord builder Willard Martin.

A colorful program of playful “descriptive” pieces for harpsichord, depicting birds, insects, sad good-byes, and even Baroque battle scenes!

Bring your fly swatters and Kleenex!

About Jillon Stoppels Dupree, harpsichord

Seattle-based harpsichordist Jillon Stoppels Dupree is a noted performer and teacher, with recent performances with the Seattle Symphony and the Berkeley Early Music Festival. She is the founding director of the Gallery Concerts early music series in Seattle and is currently on the early music faculty at Cornish College of the Arts.