Sound Salon: Baroque Meets Karuk
$48 ($43 senior, $10 youth/student with ID)
- Anna Okada, violin
- Reynaldo Patiño, violin
- Breana Halimé McCullough, viola
- Elisabeth Reed, cello
- Byron Schenkman, harpsichord
Traditional — Karuk Picnic Song
Bartolomé de Selma y Salaverde — Vestiva i colli (for cello & continuo)
Andrea Falconieri — La Mirandola
Andrea Falconieri — Folias echa para mi Señora Doña Tarolilla de Carallenos
Biagio Marini — Passacalio ("Passacaglia"), Op. 22, No. 25
Traditional — Karuk Gathering Song
Salamone Rossi — "Sinfonie et Gagliarde a quatro voci" from Sinfonie et gagliarde, Libro 1 (Sinfonia no. 1 à 4)
Claudia Francesca Rusca — Canzona No. 1 "La Borromea"
Salamone Rossi — Sonata in Dialogo "La Viena"
Salamone Rossi — Sinfonia No. 3 "La Cecchina"
Salamone Rossi — "7 Corrente à tre" from Varie sonate, sinfonie, gagliarde, brandi, e corrente, Libro 3 (Corrente No. 3 "Correnta terza detta la Cecchina")
Salamone Rossi — Sonata duodecima sopra la Bergamasca ("Sonata No. 12: Bergamasca")
Isabella Leonarda — Trio Sonata Op. 16, No. 4
Henry Purcell — King Arthur, Z. 628 ("Chaconne")
Traditional — Karuk Weaving Song
Bartolomé de Selma y Salaverde — Selected works
17th-century works for strings and harpsichord highlighting the connections between Spain, Italy, Austria, and the colonization of Turtle Island (now known as the North American continent). A string ensemble led by Anna Okada will explore works by Bartolomé de Selma y Salaverde, Andrea Falconieri, and Isabella Leonarda, alongside music gifted from the Karuk tradition of what is now the Pacific Coast by tribal member and violist Breana McCullough.
About Sound Salon (formerly Byron Schenkman & Friends)
Known as Byron Schenkman & Friends until recently, Sound Salon is a concert series that brings a diverse set of 21st-century perspectives to artistically excellent ensemble music, inspired by European traditions of the 17th through 19th Centuries. Byron Schenkman is Sound Salon's Artistic Director.
Sound Salon is a 501c3 non-profit supported by donors and ticket sales.
https://www.SoundSalonMusic.orgAbout Anna Okada, violin
Violinist Anna Okada holds a Bachelor of Arts in Music Performance from Whitman College and a Performer Diploma in Early Music from Indiana University Jacobs School of Music, where she studied with Stanley Ritchie.
Anna has performed with period ensembles around the U.S., including the Indianapolis Baroque Orchestra, Bach Akademie Charlotte, Pacific MusicWorks, the Seattle Baroque Orchestra, Alchymy Viols, the Bloomington Bach Cantata Project, and Bourbon Baroque. Anna also enjoys performing at music festivals, such as the Oregon Bach Festival, the Montana Early Music Festival, the Princeton Festival, and Festival Internacional de Música Sacra in Quito, Ecuador. Anna is a member of Las Aves, a research-oriented ensemble that produces historically informed programs of Renaissance and early Baroque chamber music. Anna was a finalist in the 2020 Indianapolis International Baroque Concerto Competition.
https://www.whitman.edu/academics/majors-and-minors/music/faculty/anna-okadaAbout Reynaldo Patiño, violin
https://bachcollegium.org/musicians/2015-baroque-festival-instrumentalists-3/reynaldo-patino/
About Elisabeth Reed, cello
About Byron Schenkman, harpsichord
Byron Schenkman is a Queer Jewish keyboard player and scholar with a background in Historical Performance and a passion for connecting people through music. In addition to performing live on piano, harpsichord, and fortepiano, Byron can be heard on more than forty CDs, including recordings on historical instruments from the National Music Museum, Vermillion, and the Museum of Fine Arts, Boston.
http://byronschenkman.com/Illsley Ball Nordstrom Recital Hall at Benaroya Hall
200 University St.Seattle, WA 98101
United States