Wednesday, October 4, 2023 @ 8:00pm – 10:00pm (PDT)

A concert of music by Cornish Faculty at the NEW Cornish venue Raisbeck Auditorium at the Ivey.

Including improvisations, klezmer tunes, original songs, premiere compositions, and more by current Cornish faculty members.

Come out and check out this new venue and hear some new music. Hope to see you!

8pm showtime. All Ages. Free.
(There is paid public parking is available in the surrounding blocks).

About Tom Baker

Tom Baker is a composer, guitarist, improviser, and electronic musician who has been active in the Seattle new-music scene since arriving in 1994. He is the artistic director of the Seattle Composers’ Salon, co-founder of the Seattle EXperimental Opera (SEXO), and founder of the new-music recording label Present Sounds Recordings.

"...the acoustical rendition of a Jackson Pollack painting."
— Twenty-First Century Music

Tom’s compositions have been performed throughout the United States, Canada, and Europe. He writes chamber music, opera, and electronic music, as well as music for percussion, chamber orchestra, dance, film, and chorus. His work traverses themes of grief, loss, redemption, and perseverance, through a combination of sound exploration, electronic improvisation, and musical form and structure. He has been in residence at the Atlantic Center for the Arts, and the Montalvo Arts Center, and his music is published by Frog Peak Music.

"…a delicate, eccentric compositional sense and a tendency
toward unruly improvisation."
— Time Out New York

Tom is also a scholar and educator and has recently presented work to the Society for Minimalist Music in Wales UK, and to the International Conference on the Arts in Society in Vancouver BC. He is a Professor of Music at Cornish College of the Arts where he teaches composition, music theory, and electronic music. His most recent article was published in Perspectives of New Music in July, 2020.

"Alarmingly restrained, yet evocative,created with great care
and structured structurelessness. The space is the music."
— ADD Reviews

Tom is active as a performer and improviser, specializing in fretless guitar and live-electronics. His band TRIPTET recently released its fourth album, Slowly, Away, on Engine Records. His electronic-interactive-arts collaboration with visual artist Robert Campbell called Manifold2 was was featured in the MoxSonic festival in 2019 and excerpts from their new opera-in-progress called The Language of Change were featured in the Current’s New Media festival in 2020.

"Tom Baker’s music plies the shadowy territory between
form, isolation, and silence."
— The Stranger

https://www.tombakermusic.com/

About Leanna Keith

A freelance flutist, artist, improviser, and composer in the Seattle area, Leanna Keith (she/they) delights in creating sound experiences that make audiences laugh, cry, and say: "I didn't know the flute could do that!" Her performance artworks have focused on cultural connection and the breaking of audience/performer boundaries. Leanna is co-founder of the 501(c)(3) arts organization Kin of the Moon and is co-artistic director and flutist of the ensemble. They explore sonic rituals, promote cross-pollination of genres, and celebrate the creativity that multiplies itself through the collaboration of performers and composers. She is dedicated to playing music by composers who are still living, and advocates for the usage of music as social activism. Leanna is the professor of flute at Cornish College of the Arts.

http://leannakeithflute.com

About James Falzone

Clarinetist, penny whistle player, composer, and improviser James Falzone is an acclaimed member of the international jazz and creative music scenes, a veteran contemporary music lecturer and clinician, and an award-winning composer who has been commissioned by chamber ensembles, dance companies, choirs, and symphony orchestras around the globe. He leads his own ensembles Allos Musica, Elaía Ensemble, Renga Ensemble, and the duo Wayfaring with Chicago bassist/vocalist Katie Ernst, and has released a series of critically acclaimed recordings on Allos Documents, the label he founded in 2000. James performs throughout North America and Europe, appears regularly on Downbeat magazine's Critics' and Readers’ Polls, and was nominated as the Clarinetist of the Year by the Jazz Journalist Association. He has been profiled in the New York Times, The Chicago Tribune, New Music Box, and Point of Departure, among many other publications. Also a respected educator and scholar, James is the Dean of Cornish College of the Arts in Seattle, Washington. He is a Backun clarinet artist and plays penny whistles made by Chris Abell.

http://allosmusica.org/about-james/