Thursday, April 4, 2024 @ 8:00pm – 10:00pm (PDT)
The Chapel at the Good Shepherd Center, Seattle, WA, United States
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$5-$20 sliding scale, online or at the door

Faith Coloccia — Selected works

Artist/composer Faith Coloccia will present a piano and vocal song that has been developed over a three-year period. The composition is based on isolated time fragments of field recordings, concentrating on the strange emotional clarity that comes with sleep deprivation and constant thought interruption.

Seattle-based drummer Casey Adams presents work for solo percussion.

About Wayward Music Series

Each month, Nonsequitur and a community of like-minded organizations and artists present 10 concerts of adventurous and experimental music in the gorgeous Chapel Performance Space at the Good Shepherd Center: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics.

About Jessika Kenney & Eyvind Kang

Eyvind Kang and Jessika Kenney are a duo interested in geomusicalities. Their albums include Azure (Ideologic Organ 2023), Cypress Dance (Ed. Mariana Calo & Francisco Queimadela), the face of the earth, Aestuarium (2012, 2011 Ideologic Organ/Endless), Reverse Tree (Black Truffle), Seva/Fixiones (self-released cassette). As a duo they have worked with poet Anne Carson and randomizer Bob Currie, and the bands Sun City Girls, Sunn O))), and Animal Collective. Together they composed Concealed Unity and Siheung Tablatures for orchestra, choir, and soloists for the Tectonics festivals in Reykjavik, Athens and Glasgow. Their most recent collaboration was the installation Spokane River Sound Action, shown at the Gonzaga University Urban Arts Center (GUAAC) in 2022.

About Faith Coloccia, piano & voice

Faith Coloccia is an American artist and composer based in Vashon, WA. She was born and raised in Palm Springs, CA, and attended Otis College of Art and Design in Los Angeles (BFA). Her work is focused on time deconstruction, inherited memory, indexical archives and how sound affects the body in space.

Using voice, field recordings, visual scores, and traditional instrumentation, she unites composition, spirituality, and installation acoustics into a cohesive whole. She performs under the names of Mamiffer and Mára and has been commissioned by and performed at festivals such as Big Ears (US), Hopscotch (US), and Sacrum Profanum (PL). She has performed in Europe, North America, and Japan, and has collaborated with artists such as Daniel Menche, Jon Mueller, Aaron Turner, Circle, and Eyvind Kang. Her work has been released on SIGE Records, Karlrecords. Room40, and Touch.

About Casey Adams, percussion

Casey Adams is an explorer of sounds and structures, as a drummer, builder and creator of electro-acoustic noise. In his work and research he is interested in the de/construction of sound and space, and the exploration of the ambience that exists between. As a performer, Casey attempts to fuse disparate and peripheral sounds while exploring movement, tension, intensity and the materiality of auditory experience; pursuant of a moment that never arrives. He is based in Seattle, Washington.

The Chapel at the Good Shepherd Center

4649 Sunnyside Ave N
Seattle, WA 98103
United States