Alex Ross has been the music critic at The New Yorker since 1996. He writes about classical music, covering the field from the Metropolitan Opera to the contemporary avant-garde, and has also contributed essays on literature, history, the visual arts, film, and ecology. His first book, The Rest Is Noise: Listening to the Twentieth Century, a cultural history of music since 1900, won a National Book Critics Circle Award and the Guardian First Book Award and was a finalist for the Pulitzer Prize. His second book, the essay collection Listen to This, won an ASCAP-Deems Taylor Award. His latest book is Wagnerism: Art and Politics in the Shadow of Music, an account of Wagner's vast cultural impact. He is the recipient of a MacArthur Fellowship, a Guggenheim Fellowship, and an Arts and Letters Award from the American Academy of Arts and Letters.

Listen to This: An Evening with Alex Ross & 45th Parallel

Friday, January 26, 2024 @ 7:00pm – 9:00pm (PST)
Patricia Reser Center for the Arts, Beaverton, OR, United States
György LigetiSix Bagatelles ("I. Allegro con spirito," "II. Rubato. Lamentoso," & "III. Allegro grazioso")
John Luther AdamsThe Wind in High Places
Richard WagnerDie Walküre ("The Valkyrie"), WWV 86B ("Wo in Bergen du dich birgst")
Florence PriceFive Folksongs in Counterpoint
Radiohead — Selected works (Creep / Pyramid; arr. Sergio Carreno)
Aaron CoplandAppalachian Spring Suite

$44-$54