Extradition – Past Concerts

Grace Harper — Water, Wood, Stone, Breath
Seth Cluett — No Small Matter
Nikki Krumwiede — Crickets
Joseph Clayton Mills — Immanuel Kant
Hassan Estakhrian — Roles of a Machine

Malcolm Goldstein — Gentle Rain Preceding Mushrooms
Annea Lockwood — bayou-borne, for Pauline
Philip Corner — 148 Equal Measures for Four Instruments
John Cage — Variations VIII
Karlheinz Stockhausen — Unbegrenzt

Ryoko Akama — Object Performance
Marianne Schuppe — Behind
Nomi Epstein — Structured Improvisation #1.19
Thomas Stiegler — Märchenbilder I
Sarah Hughes — Stones Fall to the Sea

Morton Feldman — The Possibility of a New Work for Electric Guitar
Paul Newland — Locus
Stefan Thut — Imprints
Eva-Maria Houben — von da nach da

Yuji Takahashi — Stone for Cello
Sophie Stone — Post Card Sized Pieces
Ganavya Doraiswamy / Rajna Swaminathan / Anya Yermakova — The Archipelago
Glenn Sogge — The Levitation of Small Objects
Matt Hannafin — Small Pieces (Not Philip's)

Philip Corner — When They Pull the Plug
Philip Corner — Electro-Acoustics
Philip Corner — Homage to Revere
Philip Corner — Attempting Whitenesses
Philip Corner — The Art of No-Art
Philip Corner — Through the Mysterious Barricade

Philip Corner — Presence
Philip Corner — La Bella Infinita
Philip Corner — Sounds, Austere, for Elegant Rooms
Philip Corner — 3 for Phyllis for Some Things
Philip Corner — A Day in the Life (or a Moment) (or More)

Composer Philip Corner (b. 1933) is one of the greats of 20th- and 21st-century experimental music. Active since the late 1950s, he's compo…

Philip Corner — Lecture from Sunday Performance
Philip Corner — Heraclitus 2
Philip Corner — Lesson from the East: Perfection is Not Exactness
Philip Corner — Just Another 12-Tone Piece
Philip Corner — Sang-Teh ("Situations")

Philip Corner — Two-Part Monologues, No. 1
Philip Corner — Gamelan Lyra
Philip Corner — In Intimacy – Pulsation
Philip Corner — Punkt
Philip Corner — Lovely Music